![]() ![]() That is to say that I had been steadily embracing hair metal and Camaros (even though I couldn’t afford my own) while gradually forsaking bands like The Cure. This all happened at a time in my teenage experience when I was at my most mainstream, at least in terms of the mainstream that existed in rural North Carolina in 1989. Which leads us to the embarrassingly personal, painfully impenetrable confines of my high school bedroom and an intimate relationship with The Cure’s Disintegration. She dumped me abruptly and without warning and immediately started dating a country heartthrob named Mike. Perhaps the improbable symbolism of her name somehow diminishes my earlier assertion that I did not live in a John Hughes movie, but it’s the truth. In the fall of ’89 I’d just entered my senior year of high school, and I’d recently been dumped by a girl named Misty Hayes. I listened to the Pixies, but I also went cruising down the closest town’s main drag in my friend’s Camaro, fist pumping through the open window to a soundtrack of Motley Crüe. I was into skateboards, sure, but I also went bass fishing in country ponds. But before I fall into that cozy “I was so different” narrative, painting myself as the stereotypical teen-movie outsider, I want to first confess that my teenage experience was a study in ordinary contrasts. When you picture this in context, it might strike an odd portrait: I grew up in rural North Carolina, five miles outside of a mid-sized town you’ve never heard of. Bangs self-consciously plastered to one side of my forehead in my best attempt at Tony Hawk hair. Picture me, if you will, in the fall of 1989: skinny, befreckled, wearing an army jacket and a pair of Chuck Taylors. ![]()
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